Author Archive | Contributor

The Word Wakes You by Téa Silvestre Godfrey

The word grabbed me awake in the wee hours of the morning. Was it something I dreamt? Or did it dream me?

Admirabilia.

That word flashes relentlessly on the inside of my eyelids. I turn to look at the clock. It’s 4:08.

A few minutes pass and I give into the urge to get up and pee.

What does it mean, I wonder?

Is it a real word?

Back in bed and snug under the covers, I turn it round and round in my head.

Little bits of admiration?

Intangible moments of gratitude we collect like memorabilia?

How does one collect the intangible?

I roll over onto my other side.

Isn’t admiration about big things?

Her bravery in the face of that cancer diagnosis.

His ability to create and build a thriving multinational business.

Their courage to leave Syria and cross the ocean to Greece.

At 5:30, I reluctantly give up hope of going back to sleep. Deep snores rumble at me from Ira’s side of the bed and he won’t be up for at least another hour.

I slip on on my fleece robe and climb the stairs to the kitchen in slow motion.

If being admirable means we’ve done something worthy of recognition, who decides what’s worthy?

I stand at the sink and stare out the window into the inky dark morning. I can’t see the rain, but I can hear it.

The ritual begins.

Turn on the water. Fill the pot half way. Swirl it around. Pour it into the sink. Repeat the process twice more.

And what if there’s no one around to witness the wonderful thing done?

‘To admire’ implies both an observer and an observed.

You and me, right?

The proverbial tree-falling-in-the-forest question.

Open the coffee maker lid and pull out yesterday’s filter full of grounds.

On Facebook we have a never-ending supply of potential observers. Lurkers, yes. But also ‘friends’ willing to spend a millisecond to click the thumbs-up or maybe the heart button.

If we share — if we post the thing — then technically we’re asking to be admired, right?

Look at my beautiful baby (who I created with my very own body). Isn’t she delightful?

Look at this puppy I rescued. Isn’t he adorable?

Look at this poem I wrote. This meal I cooked. These flowers that grow in my yard.

I’ve seen them, but you need to see them, too. Your admiration is the true validation of my worth.

Admirabilia :: Smallish things to be praised with affection.

Open the grinder and fill it with beans. Push the button and listen to the high-pitched whir of the blades.

The wonders of modern living. Electricity. Running water. Central heating. How often do we stop to admire these things? Or the folks who made them happen for us.

The designers, the builders, the inspectors. The ones who sourced the materials and manufactured all the tiny moving parts. The ones who boxed them up and shipped them to where they needed to go. The ones who sold them to me. And to you.

All efforts of daily work and rituals of service.

When I turn the ignition and my car starts without a hitch, do I stop to honor the many MANY humans who contributed to that particular moment?

“Everything in life has brought us to this moment.” (Something my son likes to say at random for an easy laugh.)

Do I post pictures of those little everyday miracles on Facebook?

Mmm. Not so much.

A deep breath while I empty the freshly ground beans into the brown paper filter. Tap, tap, tap. Must. Get. Every. Last bit.

Next, cold (Clean! Thank you, municipal water guys!) water goes into the machine and I push the little red ‘brew’ button.

The water begins to heat and then it’s pumped and through to the grounds. The familiar clicks and sighs of our beloved appliance signal there will soon be coffee.

The elixir of life. A truly marvelous ritual if there ever was one.

But only because I’m here to experience and witness it?

On its own (without me), it’s simply just a blob of atoms shaped like a coffee maker.

I walk to the couch, sit down, and wait for the magic to materialize.

My son’s bedroom door opens and out bounces Max, his little dog. He’s up and on my lap quicker than anything should move before 6 a.m.

It’s like he hasn’t seen me in weeks.

I stare into his chocolate eyes and tousle his big floppy ears.

This moment. Something he and I share almost every morning.

I close my eyes and catalog the feeling for my ‘collection.’ Fully awake now to a practice of meaning and presence.

About the Author: Téa Silvestre Godfrey

Téa Silvestre Godfrey is passionate about community and loves to cook (and eat) with friends. She’s the author of Attract and Feed a Hungry Crowd,” the editor of “30 Ways to Bloom Your Online Relationships,” and works as a writing coach and freelance editor. Find her at StoryBistro.com

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Obsessions, Compulsions and Conversations with Cats by Pat West

Dickens slept facing north. He’d even rearrange furniture in hotel rooms.
The man swore by baked apples and their ability to prevent seasickness.
Favorite recipe: apples soaked in a sherry bath, filled with apricot marmalade
and drizzled with sherry syrup. He thought pears a lesser fruit.

John Cheever wearing his only suit, would take the elevator
to a maid’s room in the basement of his apartment building,
strip to his boxers and scribble short stories. At eleven
he’d have a secret slug of whiskey, at noon two martinis
and a Turkey Monte Cristo sandwich before afternoon gin and tonics.

William Faulkner typed with his toes. Stories about his drinking
might make one think he just poured bourbon into a bowl
and never ate. Not so, the man loved salmon croquettes,
made right from the recipe on the back of the salmon tin.

Eudora Welty straight pinned her pages together,
when they grew too long for the room
she put them on the table, a patchwork quilt
you could read in any direction. Her writing
filled with stuffed eggs, seafood
gumbo, beaten biscuits and Vicksburg Potato Salad,
richest food in Southern literature.

Capote wrote horizontal on a couch, cigarette and coffee
handy. Editing took place in the afternoon and his drinks
went from coffee to mint tea to sherry to martinis.
Evenings he ate Italian Summer Pudding: creamy chocolate
mascarpone and macerated raspberries, with layers
of coffee-and rum-soaked ladyfingers.

While living in Key West, Ernest Hemingway worked
in a pair of oversized loafers, typewriter chest-high
and only discussed the day’s writing
with his six-toed cats. He thought regular-toed cats
poor listeners. His recipe, Pan-Fried Mountain Trout,
remains a secret. He stopped each day’s work

About the Author: Pat West

PatWestBio

Pat Phillips West lives in Olympia, WA. A Pushcart and Best of the Net nominee, her work has appeared in Haunted Waters Press, Persimmon Tree, VoiceCatcher, San Pedro River Review, Slipstream, Gold Man Review and elsewhere.

Book Club by Patricia Wellingham-Jones

Ten women, at first unknown
to each other, gather each month
in the rear of the old library.
Shadows haunt the back spaces
behind the racks of books,
the computers are shut and silent.

The women shove two tables together,
settle with their cups and books.
The first round is social
chitchat and by now, two years later,
our stories interweave
and overlap.

One woman clears her throat,
the talk subsides, questions begin.
For an hour the air is filled
with lively discussion, thoughtful
silence. Even, on occasion, tears
and always laughter.

What seems a marvel is the way
the book club has spilled into friendships.
We support one member’s chorus,
attend a play with another, drop off books
and stay for tea, visit at the market,
post office, café.

Our small town book club
is not small to us.

About the Author: Patricia Wellingham-Jones

PatriciaWellingham-JonesPatricia Wellingham-Jones is a widely published former psychology researcher and writer/editor. She has a special interest in healing writing, with poems recently in The Widow’s Handbook (Kent State University Press). Chapbooks include Don’t Turn Away: poems about breast cancer, End-Cycle: poems about caregiving, Apple Blossoms at Eye Level, Voices on the Land and Hormone Stew.

Dear Blinking Cursor by Tabitha Grace Challis

Copyright: <a href='https://www.123rf.com/profile_peshkov'>peshkov / 123RF Stock Photo</a>

Dear Blinking Cursor,

Yes, I see you. I know that you sit there waiting. “Great things are to come,” you seem to telegraph as if you were an 18th century Morse code. My head spins with stories. They have since I was tadpole-like in my ability. I have scattered words from there to here and yet, you still blink.

I’m no Euripides. No one will probably be reading this tangled web of beautiful lies I spin thousands of years from now. I will not be quoted and misquoted on Facebook like Mark Twain when all that’s left of me is dust.

And yet, you blink. Eager to be fed.

Do you not know I have a kid who needs another glass of milk? A husband with lips made just for kissing? Do you not see my hands full of bags of cat food?

You relentlessly wait. Wearing at my mind. I close my eyes and yet you are there. I’m renaming you Godot. Curse you, cursor, and your all-the-time-in-the-world stare at me.

Sometimes I imagine that you’re the entrance to a black hole. If I could just unlock you, the words would come out on their own. It’d be so easy. Less effort. Less feeling like I was letting you down. Tap into the deep part of my brain, o blinking one. Release the wild things.

I’m so tired of disappointing. I picked up this perfection mantle at age 10 and have been unable to drop it. It is tattered, frayed and worn. I want to do it all, be it all, see it all, taste it all. Yet it leads to nothing.

The whispers I ignore tell me that I’m a writer. I was meant to tell those stories. But the siren’s call (the loud kind, not the irresistible one) of life’s essentials pulls me away from you, cursor. There’s piles of laundry to tackle, dishes to clean, a dog to wash, bills to pay, and floors to vacuum.

Life happened while I was busy making plans to return to you.

Don’t give up on me, please. There are tales that I need to tell you of chickens that live on the roofs of odd buildings. I long to lose myself to chasing you across the page. I ache for there to be more and more and more words that follow you like Orpheus chased Eurydice. Were that my ending were not so tragic.

I like to think I’d give up so much just to please you. I’d sacrifice time and effort and energy. Yet, I’m spent. There are days when I can barely lift my thought process beyond survival.

Could you wait? Or will this be like the pot of water that’s been left to boil on the stove too long? Empty. Charred. Will my words burn away and be of no use to anyone?  Will you keep blinking your slow, patient  S.O.S. that calls to me? I want to be like my author heroes. I want to stick to a page until the story unfolds. I want to chase you from here to the end. The spirit is willing, but the flesh is so weak. I binge watch old TV shows as you sit in a sea of white. I play games on my phone to drown out the noise of your silent requests.

Don’t lose hope, little cursor. Together we will do great things. Perhaps we will attack them like they did on D-Day. A full-scale invasion will march forth and you will not have blinked in vain.

Too much?

Then I’ll be truthful.

Please wait. I’m coming. In the snatches of time before falling asleep. In between the rush and bustle of the every day, you and I will dance. I will find the quiet times to put thoughts to words, inaction to action, and magic to paper.

And it will be beautiful.

About the author: Tabitha Grace Challis

Tabitha Grace ChallisTabitha is a social media strategist, writer, blogger, and professional geek. Among her published works are the children’s books Jack the Kitten is Very Brave and Machu the Cat is Very Hungry, both published under the name Tabitha Grace Smith. A California girl (always and forever) she now lives in Maryland with her husband, son, and a collection of cats, dogs, and chickens. Find out more about her on her Amazon author page or follow her on Twitter: @Tabz.

Listen by Pat West

My parents died
when I was a baby.
Family and friends passed me around.
Nine cities in six years.
Never stayed in one place
long enough to sign a lease.
You want to know more?
Before my grams died,
she told me when an intruder
appears in my dreams, it’s an omen
to move. First time, in San Francisco
I missed the signal. Next day,
an earthquake caused a fifty foot section
of the Oakland Bay Bridge to collapse
right behind my car. In Miami,
after Andrew blasted through my apartment,
I paid attention. I’m not making this up.
Thought about Toledo, but nothing happens
in that town, so I headed north
to Boston just in time for Fleet Week,
and a long string of dull men
with tattoos of serpents and dragons.
This time I didn’t wait for an intruder,
tossed a coin between here and Portland,
Seattle won. Grams also said,
when I came close to home
she’d send me a sign. Few days later,
I heard her whisper, Stay a while,
find a man to yawn with in the morning.
Then you saunter into my life.
You think I’m crazy. Here’s crazy.
When you look at me, I’m an exotic belly dancer.
When you touch me, I hear wolves.
When you kiss me, I’m one of them.

About the Author: Pat West

PatWestBio

Pat Phillips West lives in Olympia, WA. A Pushcart and Best of the Net nominee, her work has appeared in Haunted Waters Press, Persimmon Tree, VoiceCatcher, San Pedro River Review, Slipstream, Gold Man Review and elsewhere.

Counting Losses by Sheryl Cornett

Lately I’ve been losing things: car keys, umbrellas, reading glasses, a cherished leather coin purse bought in London’s Camden Market twenty years ago. I kept only British pounds sterling in that purse, as a reminder that the next trip “home” to the Bloomsbury neighborhoods was just a few months away. I go there regularly to escape the oppressively humid North Carolina summers paying my way by teaching and writing.

Classes finished, deadlines met, I wander daydreaming through Regent’s Park or along the Thames’ South Bank leg of the Jubilee Greenway. I walk miles when in that beloved city, and my fit bit holds me accountable like an exercise partner. We have a daily conversation, in real activity-tracking numbers, about how life-giving and liberating these miles are. I record the miles in a moleskin journal as an affirming reminder-log. We check in with each other often.

So, last month when I climbed out of an airport shuttle at five in the morning, I heard the leather coin pouch tumble out of my bag, spilling change on the asphalt. I searched hurriedly in the dark for the three-inch purse. American Airlines was announcing Now Boarding, creating panic as I scoured under the oafish sixteen passenger van—but the purse apparently fell into a black hole.

Let it go. You can get another one next trip.

Later that same trip, the fit bit disappeared from my bra where it was snuggly clipped in place. Somewhere in Dallas Fort Worth’s ginormous Terminal D it worked loose and went AWOL. I hope someone who really needs one found it.

This loss is a reminder to all that I’ve been counting as well as losing in the past year.

I count steps-into-miles, as I mention. I track dollars, British pounds sterling, and euros while teaching study abroad. I count numbers of students in my classes and the number of semesters taught: autumn, spring, and summer, seventy-five semesters to date! I count calories and carbs; check my weight and blood pressure, mindful of the fluctuation of each.

I count pages and chapters written by me, and those read and re-read by me, written by my favorite authors and sister-writers. I count psalms and poems by friends dead and alive that resonate in my soul like music that lingers and won’t leave the room; poems that bring joy and wisdom and a place to share our humanity. Louis MacNeice’s lines from Autumn Journal surface to remind me that my “vitality leaps” among “[t]rees without leaves and a fire in the fireplace.”

Segue here to the biggest loss of all this year—loss of a spouse through divorce. The fit bit represents this in a quirky way: my former husband used to be (a lifetime ago), my walking partner; in fact, that’s how we courted back when we were both broke and single parenting.

The fit bit that went AWOL at DFW surprised me with its loss, at how unmoored I felt.

I realized it has been—for quite a few years—my most steadfast walking companion. A way to make sure I’m actually getting as much exercise as I tell myself I am, something that a walking or jogging buddy can confirm or challenge. It’s also my creative thinking, and head-clearing, and list-making time. Random thoughts of gratitude often bloom in me while getting in my steps. I also vent, sort out teaching conundrums, and compose emails while taking paths through the urban college campus where I work; while meandering through country parks and river walks.

So, in counting my losses along with these other things, I’m finding that counting them mindfully, being intentional and aware of the letting go, of the moving on is, in fact, cutting my losses in the best way. There are fewer and fewer flash floods of anger mixed with sadness. Let it go. No marinating regrets, no festering bitterness. The absence of a regular walking partner is a small shadow in the big-sky clouds of divorce. The silver linings are the friends, colleagues, and (serendipity!) even my adult children that I now call or who contact me to make a walking date, when schedules allow. What a gift! And how hard to get consistently on the calendar.

But my friend the fit bit is always available.

Earlier today, I laugh in sudden awareness of the beauty of solitary walks as well as the companionable ones.

It’s bright mid-winter, I’m trekking the Thames Path at high noon along Oxford’s banks. I spy a kingfisher swoop into the woods; the river scintillates in wavelets. I breathe in, lift up my face to the pale sun. My heart is firmly fixed in this moment. Then I remember: I’m meeting my daughter (who has flown to England to visit me on this research trip) on the other side of the river for a hike further along this same footpath. We’ll go the full eight miles to a neighboring village and then stop for dinner at a country pub. We’ll sit by the open fire for several hours sometimes talking, sometimes staring at the flames. After writing a few letters and postcards, we’ll catch the last bus back to London.

Cutting losses has evolved into counting blessings: the gifts of faith, family, and vocation.

The riches of friends and fellowship. The treasure of genuine, healthy relationships and the ongoing healing they confer; the gift of life fully lived, apart from another’s emotional and financial behaviors that, for many years, stormed my days like a cycle of North Carolina hurricanes. Luckily, I found a fit bit on e-Bay for the right price.

We’re back in stride, the pair of us. We’ve moved forward through the stained glass autumn leaf color into the sculptural beauty of winter-trees without leaves, into the next season of finding “gains” better than those losses; in counting joys, pleasures, and the blessings that abound if only I have the eyes to see their numbers.

About the Author: Sheryl Cornett

Sheryl Cornett teaches at North Carolina State University, where she is the 2014-2017 University Honors Program Author Scholar-in-Residence. Her recent poems, stories, criticism, and creative non-fiction appear in Art House America, Southern Women’s Review, North Carolina Literary Review, Image, Pembroke Magazine, Mars Hill Review, and The Independent Weekly among other journals and magazines; and in anthologies such as In a Fine Frenzy: Poets Respond to Shakespeare, The Global Jane Austen, and Christmas Stories from the South’s Best Writers. Visit her at www.sherylcornett.com

The Truth by Æverett

Sea of Fog by Yannick Pulver via Unsplash

It dies slowly, panicking, shivering in the threadbare sheet of its own skin.

The light fades and the cold creeps in.

It begs. Begs for air.

There is no air. The others have stolen it all away. So it will suffocate.

Suffocate under the dense weight of fear and hopelessness.

Suffocate with the world in all Her glory.

About the Author: Æverett Æverett

Æverett lives in the northern hemisphere and enjoys Rammstein and Star Trek. He writes both poetry and fiction and dabbles in gardening and soap making. She has two wonderfully old cats, and a dearly beloved dog. He also plays in linguistics, studying German, Norwegian, Russian, Arabic, a bit of Elvish, and developing Cardassian. Language is fascinating, enlightening, and inspirational. She’s happily married to her work with which she shares delusions of demon hunters, detectives, starships, androids, and a home on the outskirts of a small northern town. He’s enjoyed writing since childhood and the process can be downright therapeutic when it’s not making him pull his hair out. It’s really about the work and words and seeing without preconceptions.

How I Start Each Morning by Felicia C. Sullivan

When you live in an era where smartphones have become appendages, conversations are emoji-based and reactive, and we’re suffering from information overload and choice paralysis, it can be challenging to sit down and just think.

Attention, not information, is our greatest commodity and it seems as if everyone’s vying for a piece of our day with news alerts, notifications, emails, texts, status updates, and phone calls. They want us and they want us now, and sometimes it can feel downright exhausting to be a participant in such a frenetic culture, during such a divisive (and frightening) political time. Yet, in following the law of diminishing returns, it is possible to know too much, to be too connected, to hyper-publish and battle in 140 characters or less—all at the expense of our sanity and the art we need to so desperately and fervently create.

Sometimes you might think, why bother? I’m just one more cog in the wheel, another voice amidst the noise, but I think it’s healthy, even necessary, to withdraw from the world, create and share that which is real and honest, and be guardians of our time as much as we can.

Although it seems as if people are up and tweeting 24 hours a day, I have found a pocket of time, in the early morning, where I can create something that has a longer, and more potent, shelf life than a status update. Waking early also helps me set an intention for my day. I normally wake at 5 and I don’t bolt out of bed. Instead, I lie awake for 15-20 minutes, calmly breathing, cozying up to my cat and mapping out the day ahead of me. This slower pace allows me to consider each task deliberately and with intention and on a more practical level I don’t feel like I’m having a panic attack before my morning coffee.

Since I have to balance the demands of an always-on consulting practice with novel writing, I tend to devote 2 hours every morning to anything that will move a personal or creative project forward. I’ve found that setting aside time for creative work, even scheduling it, rarely makes me feel resentful of the work that “pays the bills” because everyone now plays harmoniously in the proverbial sandbox. My morning time isn’t simply about writing, rather, it’s about all the things I need to do to bring a project to life. On good days I write. I never worry about the quality of the work (that’s for later when I’m breaking out my pen and feeling particularly surgical); I only care that I’m working. I close out my WIFI because I’ve found that texts and notifications still find a way to weasel me away from the page.

I know the world is out there, possibly aflame, but I’ll get to it in due time.

On the days when I’m blocked, I focus on research, organization, brainstorming, writing exercises, reading, or editing—all essential tasks that are needed to complete a project. At the end of the two hours, I feel productive regardless if I’ve written a single word. My morning process focuses on creation and organization and the evenings are devoted to review, editing, and refining. And the cycle continues anew on the following day.

The information culture is pervasive, so much so that you can get caught up on clickbait, fake news, hot takes, and opinion pieces that are simply noise. After I’ve spent time creating or working on a project, I make a point to read long-form articles and essays on everything from politics to brain science. I think we’ve shifted to writing that’s sometimes too succinct, and I feel relieved in the moments when I’m able to spend time reading through a comprehensive, thoroughly researched point-of-view. Doing this makes me less reactive and more methodical and thoughtful in all my tasks throughout the day. Even if you have 5-10 minutes, listen to a podcast during your commute, read one long-form article, take the time to allow your attention to linger. I’ve also found that I’ve regained the attention span I previously lost.

Remember a time when you were able to read a book for hours and not have the TV blasting or dealing with the blow-up that is your smart phone?

I often think we make too many goals and to-do lists, which invariably set us up for failure. After I do my ‘thinking’ work and read, I write down one thing (yes, one) that I want to achieve for the day. The task will be specific and realistically achievable. For example, I hate organizing my bills and bank statements, so I’ll devote an hour to the task. Regardless of what happens in the day, I know that it’s probably feasible for me to complete one task.

Creating, reading, and intention-setting –this is how I start each morning. Some days, it works beautifully and I’m productive. Other days, I’m tethered to my email putting out a fire. However, what matters most is that most of my days are comprised of the former instead of the latter. Most days I’m focused on living mindfully and that seems to even out the days that erupt in total chaos.

About the Author: Felicia C. Sullivan

Felicia C. Sullivan is the award-winning author of the critically acclaimed memoir The Sky Isn’t Visible from Here (Algonquin/Harper Perennial) and the founder of the now-defunct but highly regarded literary journal Small Spiral Notebook. She maintains the popular lifestyle blog lovelifeeat.com. Born and raised in New York City, she now lives in Los Angeles, CA.

Follow Me Into the Dark is her first novel.

Tuesday by Patricia Wellingham-Jones

Every Tuesday the ritual unfolded:
the basket of willow rods,
Dad’s white broadcloth shirts
stiff with starch, the coke bottle
with sprinkler head attached,
the careful folding of dampened lengths
rolled into long sausages—
shirts, napkins, tablecloths, blouses,
the full cotton skirts in their gardens
of red and yellow, blue or green checks,
Scottish plaids gathered into a circle
on a tight waistband.

Even on Tuesday in July’s broiling sun,
that female figure bent over the narrow board,
left hand crimping and smoothing the cloth,
right arm in long sweeps of the hot iron, pushing
the tip lightly into the points of collars,
the box of pleats, the hundreds of gathers.

Every Tuesday of my childhood
I watched my mother turn down lunch dates,
tell friends she was busy, dodge my father’s caresses,
put away card games, rub her arthritic arms
with deep sighs. I saw her regard the slim board
with a look I couldn’t decipher
while the hangers of fresh crisp cottons
waited for the next wearing,
the first spill, the curl-up-in-a-chair crease.

By the time I reached twelve, I vowed
I would wear wrinkles and
Tuesday would be a day
made for fun.

About the Author: Patricia Wellingham-Jones

PatriciaWellingham-JonesPatricia Wellingham-Jones is a widely published former psychology researcher and writer/editor. She has a special interest in healing writing, with poems recently in The Widow’s Handbook (Kent State University Press). Chapbooks include Don’t Turn Away: poems about breast cancer, End-Cycle: poems about caregiving, Apple Blossoms at Eye Level, Voices on the Land and Hormone Stew.

The Smell and Taste of Things Remain Poised a Long Time by Pat West

After a line by Marcel Proust

Winters my mother stirred her rustic root vegetable stew
in a kitchen dizzy with steam. The aroma of rosemary
and turmeric saturating the entire house.

That scent of sawdust circled my grandfather.
A man who used lathe, grinder, chisel, plane
and rip saw. A man with hands rough as a rasp.

A summer evening in Kentucky
visiting my sister. Glasses of Shanghai silk
merlot, savoring black cherry, currant, cedar
and green olive, still so clear on my tongue.

Damp air, heavy with seawater,
sunlight cathedraling through a torn place in the clouds.
My husband and I on the north cusp of Pike Place Market,
where we shared Etta’s Dungeness crab cakes
with tomatillo cocktail sauce, tangy yet sweet.

The smell of fresh-cut grass that June evening
we spread a blanket in the backyard,
under a sky whose wide-apart edges
would spend all night coming together.

On mornings when my muscles harbor a rusty ache,
my husband’s old, blue sweatshirt feels like a hug.
Even though he’s been gone twenty-five years,
and it’s been washed hundreds of times,
I inhale his cologne, fresh, spicy oak moss.

About the Author: Pat West

PatWestBio

Pat Phillips West lives in Olympia, WA. A Pushcart and Best of the Net nominee, her work has appeared in Haunted Waters Press, Persimmon Tree, VoiceCatcher, San Pedro River Review, Slipstream, Gold Man Review and elsewhere.

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